Timo Lieber: The images are deliberately abstract. I didn’t want them to be documentary photographs. You have to get close to find the small, hidden details that help you to understand what you’re seeing. They’re beautiful, but what you’re looking at is climate change at its worst. My favourite is the one that looks like an eye. It’s a half-circle of concentric blues at the top of the image – it’s almost as if global warming is looking right back at you.